For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.
Chris Bergeron has written a gorgeous feature article about the new show at Dana Hall in Wellesley. Chris is one of those all too rare writers and supporters of the arts. What he does for one nourishes all of us; and we all thank him.
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