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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Tuesday, May 4, 2010

LEG WORK


I just returned from Ireland and ran out of time to include this image before I left. As you might imagine, building any new piece of sculpture requires a good deal of prep work, or shall I say leg work! In this case, some of these legs and arms became part of the sculpture "Lady's Man" which is dedicated to my grandson, Emilio. The finished piece is shown below.
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