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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Friday, September 3, 2010

JAZZ PIANO





I was quite taken by Mark Taber's keyboard artistry several weeks ago and then I received a CD of his work. I LOVE IT! Then my friend, Roberto Villate arrived for a few days visit. While he was here he discovered that several of the lights on his truck were burned out. "Don't throw those out!" Consequently, I have set myself the challenge of building a piece a sculpture that will react to Mark's Taber's work, starting with lots of 12 volt car bulbs, 32 to be specific (four octaves) that will respond to his music. By having put THAT out there, I am more confident that I can figure a way to pull this off. Here's hopin'!



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