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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Thursday, September 9, 2010

SO MUCH TO DO!




In an endeavor to construct a piece of sculpture for each of my four grandchildren, I was able to bribe these outgrown work boots away from three and a half year old Paul Martin, and combined them with rubber eraser tools. At that age they go through shoes in virtually no time at all so for the time being, I feel secure in a continuous supply of starting material for several years to come. It is fair to say that these used, but for all the world, new boots had to be worked over with a grinder and torch to be rendered "roadworthy".

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