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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Wednesday, August 15, 2012

Marion loved to dance . . .



This is the latest in a series of sculptures based on antique crutches.  It is intended as a commentary on the importance of optimism and maintaining a vital spirited attitude about life.  My mother Marion had both.  She remained that way until the very end of her life.  May it ever be thus . . .

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