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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Monday, February 14, 2011

Old Friends



I recently had the occasion to visit with a friend from the 1960's who is a chemist at Harvard. In 1972 she and her husband E. Bright Wilson acquired this painting at a solo show that I had at the Concord Art Association. I often thought of this painting, but did not remember whose home it graced. It was a lovely reunion, and so wonderful to visit with Therese.
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