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For the last several years my sculptural work has become largely kinetic and interactive. It is often witty, profound and provocative. Much of it seems to exist in the realm of the unlikely. These days, my mind is in a whirl, trying to understand how to make very complicated things appear to be smooth, slow and coordinated.

Monday, February 14, 2011

"Was . . . "


This piece was conceived in response to a Call to Artists for a show entitled "Green". The boots came from an abandoned home in Ireland and the dried sod came from a park in Worcester. Just today they came together for the first time. I was again moved by the wonderful prophetic book by Rachel Carson in 1962 entitled "Silent Spring".

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